marie de' medici weight quote

Why? Today, most know the Medici family for their notorious exploits in Renaissance Italy, yet few remember their infamous descendant Marie de Medici, whose scandals were somehow even more shameful. View of the Marie de Medici cycle by Peter Paul Rubens in the Louvre (photo: Presentation of the Portrait of Marie de Medici (at left), Marie de Medici cycle in the Louvre, Cupid and King Henry discussing the portrait of Marie de Medici (detail), Peter Paul Rubens, The Presentation of the Portrait of Marie de Medici, c. 1622-1625, oil on canvas, 394 x 295 cm (Muse du Louvre). [16] She immediately banished her late husband's mistress, Catherine de Balzac d'Entragues, from the court. This image is of, once again, Marie claiming her of regal authority yet was nonetheless the first step towards peace between mother and son. Consider, for example, the Disembarkation at Marseilles, where everyone has eyes only for the voluptuous Naiads, to the disadvantage of the queen who is being received with open arms by France" [50], This painting allegorically depicts the first meeting of Marie and Henry, which took place after their nuptials by proxy. People in the know also claimed that he was deeply in debt to the House of Medici in particular, and marrying into the family would turn his ledger into a blank slate. [2] The immortalizing of her life, however, seems to be the most apparent reason for the Queen's choice to commission a painter who was capable of executing such a demanding task. She is shown wearing a gown of silver cloth with gold embroidery and wears nothing that suggests her esteemed background. "[119], An important sketch from the collection is the so-called Reconciliation of King Henry III and Henry of Navarre a significant event for Henry IV's ascent to the throne. Apollo being associated with art, Athena with wisdom, and Hermes the messenger god for a fluency and understanding of language. Direct link to Harriet Buchanan's post When a European king need, Posted 8 years ago. We all have sins to confess. C.W. Household scenes took place, followed by periods of relative peace. Marie ultimately decided to withdraw from court. [125], The Triumphal Entry into Paris is the culminating point of the North End of the gallery. The Dutch were so happy to have her there, they even erected a temporary structure on the Amstel River that contained a tableaux of her image. In fact, it was around this time she came up with the final, ridiculous scheme of her life. [16], Peter Paul Rubens (15771640) was a highly influential artist in Northern Europe, widely believed to have played an important role in shaping the style and visual language of his time. On 17 December, the Papal legate finally arrived, and gave his blessing to the religious wedding ceremony at the Cathedral of Saint-Jean-Baptiste de Lyon.[11]. Our credibility is the turbo-charged engine of our success. [3][4] She was a descendant of Lorenzo the Elder a branch of the Medici family sometimes referred to as the 'cadet' branch through his daughter Lucrezia de' Medici, and was also a Habsburg through her mother, who was a direct descendant of Joanna of Castile and Philip I of Castile. She named him after the founder of the main Medici line who ruled Florence in the previous century, and she was instrumental in arranging an [63] The symbolism carried the message that she was charged with the guidance of the young, soon-to-be king.[63]. When Henry was assassinated in 1610, Louis XIII, his son and successor to the throne, was only eight years old. Engravings after Rubens from the De Verda Collection, Medicea Hospes, Sive Descripto Pvblicae Gratvlations, Genealogical tables of the House of Medici, Catherine, Duchess of Mantua and Montferrat, Maria Carolina, Queen of Naples and Sicily, Auguste Ferdinande, Princess Luitpold of Bavaria, Maria Theresa, Archduchess Charles Stephen of Austria, Karoline Marie, Princess Leopold of Saxe-Coburg and Gotha, Maria Immaculata, Nobile Inigo Neri Sereneri, Margarita, Marchioness Taliani di Marchio, Agnes, Princess Karl Alfred of Liechtenstein, https://en.wikipedia.org/w/index.php?title=Marie_de%27_Medici&oldid=1141964857, Emigrants from the Grand Duchy of Tuscany to France, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Short description is different from Wikidata, Articles containing Italian-language text, Articles incorporating a citation from the 1913 Catholic Encyclopedia with Wikisource reference, Creative Commons Attribution-ShareAlike License 3.0. And whatever Marie wants, Marie gets. He excluded the traditional 16th Century hieratic poise for a relaxed interpretation, where she wears regularized drapery and Rubens adorns her in that of the state of always being sick and weak. When Marie first heard that the powerful King Henry IV of France was after her hand in marriage, she was smitten immediately. She wrote extensively, especially to her children and to other powerful European leaders. A formal chronological structure is followed in Panegyric writings detailing the ancestry, birth, education and life of the individual. The Queen accepts an orb, a symbol of government, from the personification of France while the people kneel before her and this scene is a great example of the exaggeration of facts in the cycle. When Marie finally did land in France and meet her king, it seemed for a (very brief) period that things might turn out well after all. Here France takes on an androgynous role being both woman and man at the same time. When Rubens was commissioned to paint the Marie de' Medici cycle, he was quite possibly the most famous and skilled artist in Northern Europe, and was especially appreciated for his monumental religious works, commissioned by various councils and churches in the area. In the end, the great, powerful Marie de Medici passed on July 3, 1642. Nevertheless, the Queen-Regent's policy caused discontent. [32] In Greek and Roman mythology, one Fate spun the thread, another measured its length, and the third cut the thread. "[87] They support this claim with a statement in Rubens's notes which indicates that "this theme holds no special reference to the particular reason of state of the French kingdom. These have been identified as Cupid, Minerva, Prudence, Abundance, Saturn, and two figures of Pheme, all indicated by their traditional attributes, all bestowing their bounties on the Queen. Marie didnt want to escape the Chateau de Blois to live in peace and quiether ambition was far too great for that. Much speculation exists on the exact circumstances under which Marie de' Medici decided to commission Rubens to paint "such a grandiose project, conceived in truly heroic proportions". The Fates are depicted as beautiful, nude goddesses spinning the thread of Marie de' Medici's destiny; their presence at Marie's birth assures her prosperity and success as a ruler that is unveiled in the cycle's subsequent panels. Nevertheless, Marie's rule was strengthened by the appointment of Armand Jean du Plessis (later Cardinal Richelieu)who had come to prominence at the meetings of the Estates Generalas Secretary of State for Foreign Affairs on 5 November 1616. 1573, Florence, Italy; d. 1642, Cologne, Germany Born into the powerful and influential Medici family, renowned bankers and patrons of the arts, Marie de Medici was the daughter of Francesco I de Medici, grand duke of Tuscany, and Joanna of Austria, a Hapsburg archduchess. [6] When Henry was assassinated in 1610, Louis XIII, his son and successor to the throne, was only eight years old. On the left, Jupiter and Saturn are shown welcoming the assassinated King of France, as he ascends as a personified Roman sovereign, victoriously to Olympus. Having never been a particularly graceful event for anyone, disembarking a ship does not pose a problem for Rubens in his depiction of Marie de' Medici arriving in Marseilles after having been married to Henry IV by proxy in Florence. [79] The Queen is accompanied by a womanly embodiment of what was once thought to be, Fortitude because of the lion beside her. This personality problem did not help matters in Maries huge family feud to come. The Prince of Cond failed to structure his opposition to royal power. WebMarie de' Medici wasted the wealth amassed by Henry IV; she never purged herself of the charge of having known of the king's assassination; her intimate was d'pernon, who did not ward off Ravaillac's blow, and who was proved to have known the murderer personally for a long time. Reading from left to right, we see the cityscape with its single hill. For her son King Louis XIII, this meddling was the very last straw. Catherine of Aragon is now infamous as King Henry VIIIs rejected queenbut few people know her even darker history. King smitten with the portrait of his bride-to-be (detail), Peter Paul Rubens, The Presentation of the Portrait of Marie de Medici, c. 1622-1625, oil on canvas, 394 x 295 cm (Muse du Louvre). [80] Rubens uses several methods to portray Queen Marie in precisely the light that she wanted to be seen, as her young son's guardian and wise advisor. These paintings of her parents in Marie de' Medici's reception hall look bleak in comparison to the portrait of Marie, where she is looking beautiful if not vain. But the queen didnt pay her bills on time and Rubens had a lot of trouble collecting his due. When we do, we depend on our loyal, helpful readers to point out how we can do better. She took a strict approach to parenting Louis, which was saying something for the time. [101] Additionally, the inclusion of two differently adorned personifications of Peace hints at the fact that Rubens wanted to confuse or excite the viewer to look deeper into this particular painting as a whole. All of these symbols, Rubens displayed in this ambiguous and enigmatic painting to represent or "misrepresent" Marie de' Medici in the manner that portrayed her as the prudent, yet caring and humble mother of a young and nave monarch. In the mid 1600s, she planted roots in Cologne after her friend Peter Paul Rubens loaned her a house there. The visit prompted Caspar Barlaeus to write his Medicea hospes ("The Medicean Guest", 1638). Marie de' Medici (French: Marie de Mdicis, Italian: Maria de' Medici; 26 April 1575 3 July 1642), was Queen of France as the second wife of King Henry IV of France, of the House of Bourbon and Regent of the Kingdom of France officially during 16101614 and de facto until 1617. Princeton. Rubens obviously would have known this and so chose to ignore the tension surrounding Marie's relationship with her son, instead emphasizing her poise in the transfer of power. [8] In 1621, Marie de' Medici commissioned Rubens to paint two large series depicting the lives of herself and her late husband, Henry IV, to adorn both wings of the first floor of the Luxembourg Palace. It was designed by Tommaso Francini, a Florentine fountain maker and hydraulic engineer. [35] Copyright 2023 by Factinate.com. And thats when it all started to fall apart. Although Louis was supposed to be Maries Golden Child, it didnt take long for courtiers to notice that something was seriously amiss with the boy. Not only had Henry just received an annulment after a disastrous marriage to Margaret of Valois, he was known throughout the continent as one of the most rampant philanderers of his time, with scores of mistresses and illegitimate children. 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